The Aftermath is Secondary.

starkravingdane:

epistemologicalfallacy:

catladyinwaiting:

actual german compound nouns:
Staubsauger (vaccuum cleaner, literally “DUST SUCKER”)
Vorhang (curtain, literally “HANGS IN FRONT”)
Wasserkocher (kettle, literally “WATER BOILER”)

this is why german is the best

This is delightful.

pan-afrikan-education:

“The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.” Malcolm X

pan-afrikan-education:

“The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.”

Malcolm X

asylum-art:

JAVIER PÉREZ ::”EN PUNTAS" Ballerina Performs En Pointe with Knife Shoes

A ballerina, whose pointe shoes are extended by a set of sharp kitchen knives, dances and twirls insistently until reaching exhaustion, fighting to maintain balance on the lid of a grand piano set on a stage. The theatre with its red velvet warm lighting, resembles an oversized music box. The camera turns around the dancer revealing the opposite side of the room: an empty and painfully bare theatre.

The ballerina appears as an eerie figure expressing effort, sacrifice and pain in her strive for perfection. Both fragile and cruel. Initially shy and hesitant, her steps become more and more emphatic, menacing and not exempt of violence, scraping and cutting into the delicate surface of the piano with her sharp pointe shoes.

Through this work, Javier Perez investigates and reflects once again upon the human condition. Using a strongly metaphorical language rich in powerful symbolism, he reveals the weaknesses that become the boundaries between seemingly irreconcilable concepts such as: beauty and cruelty, fragility and violence, culture and nature or life and death.

watch the video:

Javier Pérez - EN PUNTAS (extracts) from Javier Pérez on Vimeo.  

asylum-art:

Stunning serie body painted animals by I Love Body Art

Even after I learned what the images below were, I still had a hard time recognizing the features I was supposed to be seeing in most of them. Let’s see if you can do better than me.

So, you’re about to see an incredible series of body paintings created by artists such as Emma Fay from the UK, Gesine Marwedel from Germany, Johannes Stoetter from Italy and many others whose astonishing works you can view at the website I Love Body Art.

  1. Johannes Stotter
  2. helen-eyre
  3. Emma Fay
  4. Johannes Sotter
  5. Gesine Marwedel
  6. Emma Fay
  7. Emma Fay,
  8. Craig Tracy
  9. Gesine Marwedel
  10. Gesine Marwedel
 
my resume: one time i defeated a boss battle without dying

dekuspacesleuth:

zeldatits:

bleeznuggetsofficial:

foodffs:

Strawberry chocolate chip cake
Really nice recipes. Every hour.

two of my favorite things… in one thing? 

I believe I am going to make this.

peachxpit:

accept death. befriend death. take death out for dinner. marry death. marry a death who reads

Tsuki ni kawatte, Oshiokiyo!
Tsuki ni kawatte, Oshiokiyo!

ultrafacts:

goblinqueen95:

jakeluvspizza:

ultrafacts:

Want more facts on your dashboard? Click HERE to follow the Ultrafacts blog!

Anyone else doing this 24/7 after following this ^ amazing blog?

Pretty sure the KFC one isn’t true I used to work for KFC and no such thing came up

Excuse me, a quick google search would show you that it is true. http://www.kfc.com/corsage/

Favorite Opening Credits: Orange Is The New Black

"All those eyes and mouths that make up the "Orange Is The New Black" opening credits are from real women, not actors.

Set to Regina Spektor’s “You’ve Got Time,” the credits are a montage of smiles, frowns, glares and stares of formerly incarcerated women, and other prison mainstays like barbed wire, fingerprinting, handcuffs and more.

The credits were designed, at the request of creator Jenji Kohan, to get the point across that the show wasn’t just going to be telling the story of Piper Chapman.” (x)